Illangoor is a place where bird song and the lowing of cows wander into the air as naturally as breath, a village folded seven kilometers inside the Manjeri wilderness, far away from any civlization of the world. It was here, at my cousin’s veli in the ancestral illam, where the banana leaf lay before me, glossy and green, its surface soon taken over by small mounds of dishes.
And at the top edge of the leaf three pickles: lemon sharp enough to wake the dead, cut mango bold as a street fighter, and puli inchi all sweet sour arrogance lined up like a trio of gatekeepers at the edge of the leaf. Kootucurry sat with the sternness of a matriarch, refusing to yield an inch of space. Near by avial, stately and composed, settled herself gracefully, while cabbage thoran crackled with coconut mischief.
And then there was olan, unassuming, almost too modest to notice. White translucent ash gourd pieces floated gently in a thin pool of viscous water, with just a glimmer of raw coconut oil shining on top. It whispered rather than shouted, a dish that looked almost too subdued to my eyes but somehow demanded a second glance.
Rice arrived, and with it, sambar burst forth loud and confident, impossible to ignore. Rasam marched in after him, all fire and sharpness, the drama queen of the lot. As I dove in, my fingers churned rice with samar, avial, and thoran, staging my own Palazhi Madhanam that involved a furious whirlpool of flavors that raged for 45 seconds before collapsing into a single mound of divine amritam.
It was at that moment Keshavammavan, ninety years old and sharper than a village crow, leaned toward me. He had the mischief of a boy and the wisdome of a sage, and he caught me just as I ate greedily, possessed by hunger, as if racing against my own appetite. He chuckled, “Anandaa, if Abhimanyu had only half-knowledge of the Chakravyuham, you, my boy, have less than that about sadya balance. The world needs its Olans.” His words landed with a playful sting, and I grinned, undeterred, my spicy amritam too irresistible to pause
I muttered something about sambar being king, my loyalty as unshakable as temple granite. But Keshavammavan wasn’t done. Pointing to the olan, he declared with quiet reverence, “You see this is nothing but cooked ash gourd with a smearing of raw coconut oil. No coconut milk. That’s the classic olan. This dish holds dear memories of my childhood.” His voice carried such emotional weight that I paused, mid-bite, to study the pale mound with newfound respect. It seemed to embody a delicate tension with its simplicity daring to stand beside the boldness of sambar and rasam, its quiet strength holding its own
“Vishnuu!” Keshavammavan called, turning to his geandson serving the feast. “Why are you so miserly with the olan? Anandan’s leaf should be visceral, joyous!” He leaned closer, his voice dropping to a conspiratorial whisper. “I hope to reform those who treat a sadya like a buffalo race!,” he said, pointing at me with the certainty of a judge.
“Don’t ‘Vishnu’ me in that tone, muthassaa!” Vishnu shot back, feigning offense. “There should be a cut-off age for men giving lectures!” He turned to me with a grin. “Anandetta, all the very best!” His tone carried a mock concern for my culinary fate.
“Despite what you assume, I’m not six hundred years old, Vishnu!” Keshavammavan retorted, eyes sparkling. “And you’re fired!” He sat beside me, gesturing to my chaotic leaf. “Anandaa, this looks like a crime scene in hysterics. It’s a crime not to taste this olan.”
“Is my dharmam totally brashted if I skip it?” I teased, chewing another spicy urulla of my amritam.
Keshavammavan shook his head, dipping into his olan with deliberate grace. “You young generations,” he sympahetically expressed, “always running with the fast crowd, going for only the bold, the fiery, the colorful and the unapologetic choices. Olan is restraint, it cools the fire, it steadies the hand. Without it, the leaf is only noise.”
Just then Vishnu, ever the peacemaker, returned and served me with two generous spoonfuls of olan. “Congratulations, Vishnu! You’re rehired!” Keshavammavan boomed, then whispered to me, “Classics never get old. This olan is true to our Eranadu-Valluvanadu tradition. It retains your soul.”
I paused, skeptical. “Should I mix it with the rice?”
“No!” he said firmly. “Don’t mix it with anything. And don’t pounce on it like a crow swooping on a rice offering! Scoop it gently and place it in your mouth.”
So I did. And oh, the relief was immense. The olan carried a spirit of simplicity and quiet confidence, its subtle depth unfolding with each bite. The birds sang on, the cows mooed in encouragement, and I realized this dish had a life of its own. Nothing went unnoticed when the olan was this good. As Keshavammavan said, classics are hard to beat. Truly phenomenal food.
For years, I’d mocked olan as bland, dismissed it as an afterthought. But that afternoon in Illangoor, under the hum of village life, I understood: olan wasn’t an absence of taste—it was the keeper of balance, the quiet force holding the feast together. When I rose from my leaf, my stomach was content, but my heart carried something more. I’d come for a wedding, but I left with an inheritance—not land or gold, but the gentle wisdom of olan, passed from uncle to nephew, like a secret finally revealed.




